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Sans Other Ofte 5 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Cachiyuyo' by MendozaVergara, 'Stallman Round' by Par Défaut, 'Lekra SS' by Sensatype Studio, and 'Aeroscope' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, logos, signage, game ui, industrial, brutalist, techno, authoritative, retro, impact, compactness, industrial tone, retro-tech feel, signage clarity, blocky, angular, condensed, stencil-like, square-cut.


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A compact, heavy, block-built sans with squared proportions and crisp, straight-sided strokes. The letterforms are constructed from mostly rectangular geometry with sharply clipped corners and occasional chamfered/diagonal cuts that create a notched, mechanical rhythm. Counters are tight and mostly rectangular, producing strong black presence and a poster-like texture; terminals are blunt and uniform, with minimal modulation. Overall spacing reads compact, and the design maintains a consistent, engineered feel across uppercase, lowercase, and figures.

Best used for display settings where maximum impact and compact width are useful: posters, headlines, branding marks, packaging callouts, and signage. It can also suit game interfaces or tech-themed graphics where a rigid, mechanical tone is desired, especially at medium-to-large sizes.

The font communicates a tough, utilitarian voice—industrial and slightly militaristic—while also nodding to retro arcade/tech signage. Its angular cuts and dense silhouettes feel assertive and functional, suited to bold, no-nonsense messaging rather than subtlety.

Likely designed to deliver high-impact typography with an engineered, geometric personality. The consistent rectangular construction and strategic chamfers suggest an intent to evoke industrial lettering and retro-futuristic display type while staying cleanly sans and highly legible at headline scales.

Distinctive diagonal trims appear in several joins and terminals, adding a cut-metal/stencil impression without fully opening forms. The numerals match the square, condensed construction and maintain high impact, especially in large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸