Sans Other Nebot 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Primus Motor' by Bogstav and 'Longreach' by Hanoded (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids media, stickers, playful, chunky, handmade, friendly, cartoony, display impact, handmade feel, friendly tone, youthful voice, rounded, irregular, bouncy, soft, blobby.
A heavy, rounded sans with softly bulging strokes and intentionally uneven contours that read as hand-cut or marker-drawn. Terminals are blunt and curved rather than sharp, and curves tend to swell, giving counters a slightly squashed, organic shape. Spacing and widths vary noticeably across letters, producing a lively, bouncy rhythm, while the overall construction stays simple and sans-like for clear silhouette recognition at display sizes.
Best suited to short, high-impact settings such as headlines, posters, packaging callouts, and logo-like wordmarks where its chunky silhouettes can breathe. It also fits playful editorial sidebars, children’s media, and informal event materials. For longer text, larger point sizes and generous leading help maintain clarity.
The font projects a warm, informal personality with a goofy, cartoon-friendly energy. Its irregularity feels approachable and handmade rather than rigid or technical, making the tone upbeat and casual. The dense black shapes add punch and a bit of mischievous boldness without turning aggressive.
The design appears aimed at delivering a bold, approachable display voice with a deliberate handmade wobble, prioritizing personality and instant visual impact over strict geometric regularity. It’s built to feel friendly and fun while remaining legible through simple, sans-based letter structures.
Uppercase forms lean toward compact, blocky silhouettes, while lowercase characters keep the same soft, chunky language with simple one-storey constructions where applicable. Numerals are equally rounded and weighty, designed to match the playful texture of the letters. At smaller sizes, the tight apertures and heavy fill suggest it will perform best when given room and used above body-text scale.