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Serif Normal Lumer 5 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Acreva' by Andfonts; 'Campan' by Hoftype; 'Accia Piano' and 'Diaria Pro' by Mint Type; 'Adonis New', 'Hyperon', 'Orbi', and 'Selina' by ParaType; and 'Portada' by TypeTogether (names referenced only for comparison).

Keywords: headlines, book covers, editorial design, posters, branding, editorial, traditional, authoritative, formal, literary, display impact, classic tone, print emphasis, heritage feel, bracketed, ball terminals, oldstyle figures, bookish, robust.


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A sturdy serif with pronounced stroke contrast and generous, bracketed serifs that flare smoothly from the stems. Curves are full and slightly condensed in places, giving counters a compact, punchy texture in text. Terminals often finish in soft, rounded (ball-like) forms, especially visible on lowercase shapes, while caps remain broad and firmly structured. The lowercase shows moderate x-height with strong weight on verticals, and the numerals read as oldstyle figures with noticeable ascenders and descenders that add lively rhythm.

This font is well suited to display roles where its contrast and sculpted serifs can be appreciated, such as magazine headlines, book and chapter titles, poster copy, and heritage-leaning brand marks. It can also work for short bursts of emphasis in editorial layouts, pull quotes, and section headers where a firm, traditional voice is desired.

The overall tone is classical and editorial, projecting confidence and tradition rather than minimalism. Its bold color and high-contrast detailing feel suited to established institutions, print-minded branding, and headline typography with a literary bent.

The design appears intended to deliver a familiar text-serif foundation with extra presence, combining classic bracketed serifs and high-contrast modeling to create a strong, print-oriented personality. Its oldstyle numerals and rounded terminals suggest an aim for a historic, bookish flavor while retaining a clear, conventional structure.

In the sample text, the face holds a dense, even typographic color at large sizes, with clear letterfit and a steady baseline. The combination of sharp serifs and rounded terminals gives it a distinctive, slightly antiquarian warmth while staying conventional and readable.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸