Sans Normal Degoj 6 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Aplikazia World MF' by Masterfont, 'Arial Nova' by Monotype, 'Neue Rational Narrow' by René Bieder, 'RF Dewi' by Russian Fonts, and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).
Keywords: ui text, body copy, product design, signage, presentation, clean, neutral, modern, technical, friendly, clarity, versatility, neutrality, legibility, modernity, monoline, open apertures, humanist, rounded terminals, compact joins.
A clean, monoline sans with softly rounded curves and restrained, straight-sided construction. Counters are generous and largely circular/elliptical, with open apertures that keep forms clear at text sizes. Strokes terminate with crisp, straightforward endings and minimal modulation, while proportions balance slightly geometric round letters (C, O, Q) against more humanist details in the lowercase (notably the single-storey a and g, and the simple, readable e). Numerals follow the same plain, unembellished logic with open shapes and consistent stroke thickness.
Well-suited to user interfaces, product copy, and general-purpose editorial text where neutral tone and high legibility are priorities. It should also work reliably for wayfinding and informational signage, as well as presentations and reports that benefit from a crisp, modern sans.
The overall tone is calm and matter-of-fact, projecting clarity and approachability rather than personality or flair. It feels contemporary and utilitarian, with a subtle friendliness coming from the round forms and uncluttered details.
The design appears intended as a versatile everyday sans that prioritizes clarity, even texture, and predictable letterforms. Its mix of rounded geometry and pragmatic detailing suggests an aim toward broad usability across digital and print contexts without drawing attention away from content.
Spacing and rhythm read evenly in the sample text, with clear differentiation between similar shapes (such as I, l, and 1) and a simple, legible lowercase structure. The design avoids decorative quirks, emphasizing consistent geometry and straightforward letterfit.