Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Superellipse Yeba 4 is a very bold, very wide, high contrast, italic, normal x-height font visually similar to 'EF Serpentine Serif' and 'Serpentine EF' by Elsner+Flake, 'Serpentine' and 'Serpentine Sans' by Image Club, and 'Serpentine' by Linotype (names referenced only for comparison).

Keywords: sports branding, racing graphics, headlines, posters, gaming ui, sporty, aggressive, futuristic, dynamic, techy, express speed, maximize impact, modernize tone, brand display, slanted, extended, angular, rounded corners, blocky.


Free for commercial use
Customize the font name

A slanted, extended sans with compact counters and a strong forward lean. Strokes are heavy and clean with crisp, chamfer-like terminals and rounded-rectangle (superellipse) curves that keep bowls and apertures tight and aerodynamic. Many glyphs show wedge-cut ends and slightly squared interior shapes, creating a fast, machined rhythm rather than a neutral text flow. Numerals follow the same blocky, streamlined construction with flattened curves and assertive horizontal emphasis.

Best suited to headlines, team and event branding, racing or automotive graphics, and punchy promotional layouts where the italic slant can suggest motion. It also fits sci‑fi or gaming interfaces for titles, labels, and UI accents when high-impact legibility is more important than long-form comfort.

The overall tone is energetic and performance-driven, reading like speed lettering for motorsport or athletic branding. Its hard cuts and forward slant communicate urgency and impact, while the rounded-rect geometry adds a contemporary, tech-industrial feel. The style feels confident and loud, prioritizing presence over subtlety.

The design appears intended to deliver a fast, aerodynamic voice by combining an extended stance with a consistent forward slant and superellipse-derived curves. Its cut terminals and compact counters look optimized for bold, logo-like statements and kinetic display typography rather than quiet editorial text.

Uppercase forms are built from simple, forceful silhouettes with minimal nuance, while lowercase maintains the same stance and weight for consistent texture. Tight apertures and short joins reduce delicacy, so the face reads best when given room to breathe and when used at sizes where interior spaces remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸