Sans Other Ofdy 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Procerus' by Artegra, 'Filler' by CarnokyType, 'Dimensions' by Dharma Type, and 'Metro Block' by Ghozai Studio (names referenced only for comparison).
Keywords: posters, headlines, logotypes, game ui, album covers, industrial, brutalist, futuristic, authoritative, mechanical, compact impact, tech aesthetic, stencil texture, signage feel, condensed, rectilinear, blocky, stencil-cut, modular.
A rectilinear, condensed display sans built from heavy vertical slabs and squared counters. Many letters feature deliberate interior slits and notches that read like stencil breaks, creating sharp interruptions in the otherwise solid forms. Curves are minimized and when present are faceted into angular shapes, producing a rigid, modular texture with strong vertical emphasis and tight internal spacing. The numerals and punctuation follow the same cut-and-block construction, reinforcing a uniform, engineered rhythm.
Best suited to high-impact display work such as posters, titles, and brand marks where its blocky geometry and stencil cuts can be appreciated. It also fits game or tech UI headings and packaging or entertainment graphics that benefit from a compressed, industrial voice.
The overall tone is industrial and hard-edged, with a techno-mechanical attitude that feels assertive and slightly austere. Its stencil-like cuts and monolithic silhouettes suggest utilitarian signage and sci‑fi interfaces more than everyday editorial typography.
The design appears intended to deliver maximum impact in a compact width while adding a signature, stencil-like detail through repeated internal cuts and notches. Its modular construction prioritizes a strong silhouette and a distinctive texture for display communication.
At text sizes the interior cuts can visually merge, so the face reads best when given room and scale. The distinctive breaks create a strong patterning effect in all-caps settings and add a sense of motion and compression in longer lines.