Sans Faceted Niry 9 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Filler' by CarnokyType, 'Dimensions' by Dharma Type, 'Metro Block' by Ghozai Studio, 'Tusker Grotesk' by Lewis McGuffie Type, and 'Ravenda' by Typehand Studio (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, authoritative, compressed, utilitarian, poster-like, space-saving impact, industrial display, geometric rigidity, signage clarity, blocky, angular, stenciled, faceted, monoline.
A compact, rectangular sans with heavy vertical emphasis and tightly controlled sidebearings. Curves are largely replaced by planar, faceted joins and squared counters, producing a machined, block-built silhouette. Strokes read as essentially monoline, with crisp corners and occasional slot-like interior cuts that create a subtle stencil impression. The lowercase is built in the same rigid geometry as the caps, yielding a highly uniform texture and a strong, dark typographic color in lines of text.
Best suited to short, high-impact settings where density and presence are an advantage: headlines, poster typography, product marks, packaging callouts, and wayfinding or industrial-style signage. It can work in brief text lines when large, but the tight geometry and dark color favor display sizes over long-form reading.
The overall tone is hard-edged and no-nonsense, with a condensed, industrial confidence. Its faceted construction and dense rhythm suggest engineered signage, utilitarian labeling, and bold display messaging rather than softness or elegance.
The design appears intended to deliver maximum impact in minimal horizontal space, using faceted construction to replace curves with crisp planes for a rugged, engineered look. The consistent, monoline structure and squared counters prioritize clarity and punch in bold display applications.
Cap forms are tall and narrow with squared apertures; rounded letters (like O/C/G) resolve into straight segments, reinforcing the planar feel. The numerals follow the same narrow, modular logic, and punctuation appears sturdy enough to hold weight in headline settings.