Sans Other Adkej 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Mikado' by HVD Fonts, 'Mohr Rounded' by Latinotype, 'Roihu' by Melvastype, 'PTL Attention' by Primetype, and 'Remissis' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, stickers, playful, chunky, quirky, friendly, comic, playful display, friendly impact, handmade charm, youthful tone, rounded, bouncy, irregular, compact, soft corners.
A heavy, rounded sans with a lively rightward slant and deliberately uneven construction. Strokes are monolinear and dense, with soft corners and subtly wobbly contours that create a hand-cut, cartoon-like feel rather than geometric precision. Counters are generally small and closed up by the weight, while curves (notably in C, O, S, and the lowercase bowls) stay smooth and inflated. Capitals are broad and compact, and the overall rhythm is slightly irregular across glyphs, reinforcing an informal, handmade personality.
Best suited to short, high-impact applications such as headlines, posters, playful branding, and packaging where the chunky shapes can read large and confident. It also fits children’s materials, crafts, and novelty graphics where an informal, humorous voice is desired rather than extended reading.
The font reads as upbeat and mischievous, with a bouncy, humorous tone that feels conversational and kid-friendly. Its exaggerated heft and jaunty slant give it an energetic, poster-like presence that suggests fun over formality.
The design appears intended to deliver maximum visual punch with a friendly, cartoonish voice—combining very heavy strokes, rounded forms, and a consistent slant to create motion and character. The slight irregularity across shapes suggests an aim for handcrafted charm over strict typographic neutrality.
Figures are bold and simplified with consistent weight and rounded terminals, matching the letterforms’ soft geometry. The italic angle is noticeable across both cases, helping headlines feel in motion; at smaller sizes the tight counters and heavy joins may reduce clarity, especially in dense text.