Sans Superellipse Uhry 7 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Cyberglass JNL' and 'File Folder JNL' by Jeff Levine (names referenced only for comparison).
Keywords: interface, signage, posters, branding, headlines, futuristic, techy, digital, clean, modular, systematic design, modernization, tech branding, geometric clarity, rounded corners, geometric, squared, streamlined, crisp.
A geometric sans built from squared, superellipse-like forms with consistently rounded corners and mostly uniform stroke thickness. Counters are rectangular and open, with generous interior space and a slightly expanded overall stance. Curves are minimized in favor of straight runs and softened right angles, producing a modular rhythm; diagonals appear in letters like K, V, W, X, and Y, while round letters resolve into rounded-rectangle outlines. Terminals are flat and clean, and the uppercase reads particularly boxy and structured, with lowercase following the same engineered construction.
Well-suited to interface typography, dashboards, and wayfinding where a crisp, tech-forward look is desired. It also works effectively for headlines, packaging, and brand marks that benefit from a geometric, rounded-square voice, especially at medium to large sizes where the constructed details read clearly.
The overall tone is modern and technological, evoking UI labeling, sci‑fi interfaces, and product hardware aesthetics. Its rounded-square geometry keeps the feel friendly and approachable while still signaling precision and system-like order.
The design appears intended to translate rounded-rectangle geometry into a coherent alphabet, prioritizing a consistent, systematized look. It aims for a contemporary, digital-facing personality that remains legible through open counters and straightforward, modular construction.
Distinctive squared bowls and rounded corners are especially evident in O/0 and D, while open apertures and simplified joins keep silhouettes clear at a glance. Numerals follow the same rectilinear logic, giving the set a cohesive, display-oriented consistency.