Sans Normal Dilet 18 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Avenir', 'Avenir Next', 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Paneuropean', 'Avenir Next Thai', and 'Avenir Next World' by Linotype (names referenced only for comparison).
Keywords: ui text, editorial, brand systems, signage, presentations, clean, modern, neutral, friendly, minimal, versatility, readability, modern clarity, systematic geometry, neutral tone, rounded, geometric, monoline, open apertures, airy.
A clean monoline sans with rounded, geometric construction and generous interior space. Curves are smooth and close to circular, while straight strokes stay crisp with subtly softened joins. Counters are open and even, giving letters a clear, regular rhythm; terminals read as straightforward and unfussy rather than calligraphic. Numerals match the same simple geometry and consistent stroke behavior, producing a cohesive, highly legible texture in text.
This font works well for interface and product text, dashboards, and general-purpose typography where clarity matters. Its open shapes and even texture also make it a solid choice for editorial layouts, presentations, and straightforward branding that needs a clean, contemporary voice. It can scale to headings for a minimal look without becoming overly stylized.
The overall tone is modern and neutral, with a light, airy presence that feels approachable rather than assertive. Its restrained geometry and even rhythm convey clarity and practicality, making it well suited to contemporary, understated design.
The design appears intended as a versatile, general-use sans that prioritizes simplicity, consistent geometry, and comfortable readability. Its restrained forms suggest a focus on modern neutrality and broad applicability across digital and print contexts.
The sample text shows stable spacing and a calm line color that holds together across mixed-case reading. Round letters like O/Q and the curved bowls in b/d/p/q emphasize the typeface’s circular logic, while diagonals in A/V/W/X stay clean and uncomplicated.