Sans Superellipse Onruf 3 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: tech branding, game titles, ui headings, posters, logos, futuristic, tech, sci‑fi, industrial, digital, futurism, system design, display impact, brand distinctiveness, rounded corners, squared forms, geometric, modular, extended terminals.
A geometric sans built from rounded-rectangle and superellipse-like forms, with heavy, even strokes and generous corner radii. Many glyphs use squared bowls and softened right angles, producing a compact, modular silhouette. Counters tend to be rectangular with rounded corners, and several letters feature distinctive notches, cut-ins, or short interior bars that echo a digital/constructed logic. Terminals are often flat or subtly tapered, with occasional spur-like ends that add rhythm and separation in tight shapes.
Well suited to technology and gaming identities, sci‑fi or cyber-themed titles, and bold interface headings where a constructed, geometric voice is desired. It can also work for posters and logo wordmarks that benefit from a distinctive, modular texture; for longer passages, it will be most comfortable at larger sizes where the internal cuts remain clear.
The overall tone feels futuristic and engineered, evoking interfaces, robotics, and sci‑fi branding. Its squared-round geometry reads confident and synthetic, leaning more toward technology and industrial design than humanist warmth.
The font appears designed to translate rounded-rect geometry into a complete alphabet with a consistent, system-driven rhythm. Its intention is to deliver a recognizable futuristic voice through repeated superellipse structures, crisp cut-ins, and a sturdy silhouette that holds up in prominent display settings.
The design relies on strong shape repetition across rounds (C/G/O/Q) and stacked forms (B/8), which creates a cohesive system-like texture. In text, the distinctive interior cuts and spur terminals become a recognizable motif, adding character but also making the face feel more display-oriented than purely utilitarian.