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Sans Superellipse Uhda 5 is a bold, normal width, monoline, upright, short x-height font.

Keywords: display, headlines, branding, posters, ui/ux, tech, sci-fi, industrial, gaming, futuristic, modernize, systematize, signal technology, maximize impact, rounded corners, squared forms, extended caps, compact lowercase, stencil-like details.


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A geometric sans built from rounded-rectangle and superellipse forms, with squared counters and consistently softened corners. Strokes are uniform and heavy, producing strong, high-contrast silhouettes against the page without visible modulation. The overall rhythm is compact, with low-set apertures and tight internal spacing in letters like a, e, and s, while capitals feel wider and more architectural. Terminals are predominantly flat and orthogonal, and diagonals (K, V, W, X, Y) are crisp with clean junctions, reinforcing a constructed, modular look. Numerals follow the same rounded-square logic, with a distinctive slashed zero and blocky, segmented curves on 2, 3, 5, and 9.

Best suited to display roles such as headlines, logos, posters, and packaging where its squared-rounded geometry can define a strong visual identity. It also fits interface and product contexts—dashboards, app headers, labels, and wayfinding—where sturdy shapes and clear forms maintain presence at medium sizes. In longer passages it will read as stylized and attention-forward, making it more appropriate for short copy and titling than dense editorial text.

The tone reads futuristic and engineered—clean, assertive, and slightly game-like. Its rounded corners keep it approachable, but the squared geometry and compact joins give it a technical, instrument-panel energy. Overall it suggests modern technology, digital interfaces, and industrial branding rather than editorial neutrality.

The likely intention is a contemporary geometric sans with a superellipse backbone, designed to communicate a techno-industrial voice while staying friendly through rounded corners. The consistent construction across letters and numerals suggests a focus on systematized shapes that feel modern, modular, and brandable.

The design emphasizes squared bowls and counters (notably in O, D, P, Q, and 8), creating a cohesive ‘soft-rectangular’ motif across the set. Lowercase forms are notably compact and functional, with simple, closed constructions that favor solidity over calligraphic nuance. The punctuation shown in the sample (e.g., the exclamation mark) matches the same blocky, rounded logic, helping maintain a consistent texture in text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸