Sans Other Olsa 14 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, gaming ui, sci-fi ui, logotypes, techno, industrial, arcade, futuristic, command-line, tech aesthetic, display impact, systematic construction, retro futurism, angular, blocky, square, geometric, modular.
A heavy, modular sans built from squared forms and straight strokes, with prominent 45° chamfers at corners. Counters are mostly rectangular, giving letters like O and D a boxy silhouette, while diagonals (V, W, X, Y) are cut from broad slabs for a crisp, faceted look. Stroke endings are flat and uniform, spacing is fairly open for the weight, and many joins feel engineered—more like assembled segments than drawn curves. The overall construction favors orthogonal geometry with occasional angled cuts to keep shapes readable and dynamic.
Best suited to short, high-impact settings such as headlines, poster titles, game branding, and UI/interface labels where a techno-industrial mood is desired. It can work for logos and product marks that benefit from a modular, engineered feel, and performs especially well at medium to large sizes where the squared counters and chamfered details read clearly.
The tone is mechanical and digital, evoking arcade cabinets, sci‑fi interfaces, and industrial labeling. Its squared rhythm and sharp chamfers feel assertive and utilitarian, with a distinctly retro-tech flavor rather than a neutral everyday voice.
The design appears intended to translate a digital/industrial visual language into a robust display sans: squared counters for a machine-made feel, chamfered corners for energy, and a modular stroke system that stays consistent across the set. The goal seems to be strong presence and a distinctive techno identity rather than quiet neutrality.
Several glyphs lean into stylization for character: the Q uses a compact, inset tail; S and Z are built from strong horizontal bars and angular transitions; and numerals follow the same boxed, segmented logic. The design maintains consistent corner treatment across uppercase, lowercase, and figures, reinforcing a cohesive, system-like aesthetic.