Sans Superellipse Hanup 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'FS Industrie' and 'FS Untitled' by Fontsmith, 'Kometa' by Kiril Zlatkov Type Foundry, 'Bjorn' by Monotype, 'Kongress' by Tipo Pèpel, 'Ranelte' by insigne, and 'Rehn' by moretype (names referenced only for comparison).
Keywords: headlines, branding, packaging, ui labels, signage, friendly, modern, confident, approachable, utilitarian, approachability, clarity, impact, modernization, robustness, rounded, soft, compact, sturdy, clean.
A heavy, rounded sans with smooth superelliptical bowls and consistently softened corners. Strokes are uniform and sturdy, with minimal modulation and generous internal curves that keep counters open even at high weight. Terminals are mostly squared-off with rounded edges, giving the shapes a compact, engineered feel. The lowercase is simple and workmanlike, with single-storey forms (notably the a and g) and a short-armed r; numerals are broad and highly legible with rounded rectangular construction.
This font performs best in headlines, logotypes, and brand systems that want a soft, modern voice with strong visibility. It’s well-suited to UI labels and buttons, packaging callouts, posters, and wayfinding where a rounded, high-impact sans is needed. In longer text it will likely be most comfortable at larger sizes, where its open counters and simple forms remain clear.
The overall tone is friendly and contemporary, balancing approachability with a solid, dependable presence. Its rounded geometry reads calm and non-aggressive, while the dense weight and compact shapes add confidence and emphasis. The result feels practical and modern, suitable for product and interface-forward branding.
The design appears intended to deliver a contemporary rounded sans built from rounded-rectangle geometry, prioritizing clarity and a friendly personality while retaining strong weight for emphasis. Its simplified lowercase and consistent curvature suggest a focus on robust, scalable shapes that reproduce cleanly across screens and print.
Round letters like O, C, and Q lean toward rounded-rectangle silhouettes rather than true circles, reinforcing the superellipse character. Diacritics are not shown, but the dot shapes (i/j) appear circular, matching the softened system. The 1 is simple and blocky, and the 0 is rounded and wide, helping differentiate numerals in display settings.