Sans Superellipse Onnah 8 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, ui labels, posters, packaging, futuristic, technical, modern, digital, sleek, tech aesthetic, geometric system, display impact, ui clarity, rounded, squared, geometric, modular, compact.
A geometric sans built from rounded-rectangle (superellipse) forms, with a consistently heavy, even stroke and softened corners throughout. Counters tend toward squared, inset openings, and many joins are engineered to feel clean and machined rather than calligraphic. Proportions are compact with a steady cap height and a relatively tall, sturdy lowercase; curves are minimized in favor of straight segments and radiused corners, giving letters a modular, constructed rhythm. Figures follow the same rounded-square logic, with clear, blocky silhouettes and simple interior apertures that hold up well at display sizes.
Works best for headlines, branding, and logotypes where a clean techno-geometric impression is desired. It also suits UI labels, dashboards, and on-device graphics thanks to its sturdy shapes and consistent stroke, and can add a contemporary, industrial feel to posters and packaging at larger sizes.
The overall tone is futuristic and device-like, evoking UI labeling, industrial design, and sci‑fi interfaces. Its rounded corners keep the voice friendly and approachable, while the squared geometry maintains a precise, technical character.
The design appears intended to translate rounded-rect geometry into a cohesive alphabet for contemporary, technology-adjacent typography. It emphasizes consistency and clarity through modular construction and restrained detailing, aiming for a distinctive display voice that remains legible and orderly.
Several lowercase forms read as intentionally simplified and engineered, prioritizing uniform geometry over traditional humanist detailing. The punctuation and compact spacing in the sample text reinforce a tight, controlled texture that feels optimized for short bursts of copy rather than airy editorial settings.