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Free for Commercial Use

Sans Superellipse Gadow 2 is a very bold, normal width, medium contrast, italic, tall x-height font visually similar to 'Brown Pro' by Shinntype, 'Reznik' by The Northern Block, 'Breuer Headline' by TypeTrust, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: sports branding, posters, headlines, packaging, app promos, athletic, urgent, confident, impactful, modern, impact, speed, attention, modern branding, display strength, slanted, blocky, rounded, condensed feel, compact.


Free for commercial use
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This typeface is a heavy, right-slanted sans with compact, rounded-rectangle construction. Strokes are thick and uniform enough to read as mostly monoline, with softened corners and squarish curves that keep counters tight and punchy. Uppercase forms are broad-shouldered and slightly compressed in feel, while the lowercase shows single-storey a and g with sturdy, simplified joins. Terminals are generally blunt with subtle rounding, producing a dense rhythm and strong horizontal massing. Numerals follow the same chunky, forward-leaning build, staying clear and bold at display sizes.

Ideal for sports and fitness identities, event posters, promotional headlines, and branding that needs immediate impact. It also works well for packaging callouts, badges, and short, emphatic UI or social graphics where a bold, forward-leaning voice helps lead the message.

The overall tone is energetic and forceful, with a sporty, action-forward slant that suggests speed and momentum. Its rounded block shapes keep it approachable while still feeling assertive and loud, making it well-suited to attention-grabbing messages.

The design appears intended to deliver high-impact display typography with a sense of motion, using rounded superellipse-like geometry to balance aggression with friendliness. Its simplified, sturdy letterforms prioritize instant recognition and bold presence over delicate detail.

Because the shapes are compact and the counters are relatively small, the face reads best when given enough size and breathing room; tight tracking or small text may reduce internal clarity. The italic angle is consistent across letters and numerals, reinforcing a cohesive, directional texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸