Sans Superellipse Otmum 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'CA Cula' by Cape Arcona Type Foundry, 'Golden Record' by Mans Greback, 'Azbuka' and 'Prelo Condensed' by Monotype, 'Gendis' by Surotype, and 'Min' by T-26 (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, ui labels, friendly, modern, approachable, playful, utilitarian, approachability, modernization, clarity, impact, rounded, soft, compact, sturdy, geometric.
A heavy, rounded sans built from squarish curves and softened corners, giving round letters a superelliptical, almost “rounded-rectangle” silhouette. Strokes are consistently thick with minimal contrast, and terminals tend to be blunt and clean rather than tapered. Proportions read compact and sturdy, with generous interior counters that keep forms open despite the weight. Curves are smooth and controlled, while straight stems and bars stay simple, producing an even, highly legible texture in text.
Best suited for headlines, logos, and brand systems that want a bold, friendly presence with clean geometry. It should also perform well for short UI labels, navigation, and signage where clarity and a soft, modern tone are desirable. For extended text, it works most naturally in larger sizes where its weight and rounded forms can breathe.
The overall tone is friendly and contemporary, with a slightly playful softness coming from the rounded geometry. It feels confident and functional rather than delicate, offering an approachable voice that still reads as modern and tech-adjacent. The dense weight adds emphasis and immediacy, making it feel energetic and straightforward.
The font appears designed to combine strong emphasis with approachable geometry—delivering a sturdy sans voice without sharp edges. Its consistent rounded-rectilinear construction suggests an intention to feel modern and versatile, with a distinctive “soft tech” personality that remains highly readable.
The design’s squircle-like rounds are especially apparent in bowls and closed shapes, creating a consistent family resemblance across caps, lowercase, and numerals. Punctuation and dots appear solid and clear, supporting readability at larger sizes where the chunky shapes can become a defining graphic element.