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Free for Commercial Use

Serif Contrasted Utbo 11 is a regular weight, wide, very high contrast, upright, normal x-height font visually similar to 'New Bodoni DT' by DTP Types, 'Parma' by Monotype, 'Bodoni PT' by ParaType, 'Parmesan Revolution' by RM&WD, 'Baskerville Serial' by SoftMaker, and 'Abril' by TypeTogether (names referenced only for comparison).

Keywords: headlines, editorial, fashion, branding, posters, luxury, classical, dramatic, refined, elegance, impact, premium tone, editorial voice, classic revival, hairline serifs, vertical stress, crisp, high-contrast, sharp.


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This typeface is a high-contrast serif with pronounced thick–thin modulation and a clear vertical stress. Serifs are fine and sharp, with minimal bracketing, and the hairlines stay crisp against the heavy main strokes. Proportions lean wide in the capitals, with generous counters and clean, open interior spaces that keep the texture from clogging at display sizes. Lowercase forms show a compact, sturdy rhythm with distinct terminals and a clean, upright posture; numerals follow the same contrast logic with bold figures and delicate connecting hairlines.

Best suited to headlines, magazine typography, and large-scale editorial settings where its contrast and sharp details can be appreciated. It can also support high-end branding, packaging, and poster work when printed or rendered at sizes that preserve the hairlines and serif finesse.

The overall tone is polished and dramatic, pairing elegance with a strong editorial presence. Its sharp hairlines and sculpted curves read as fashion-forward and premium, while the classical serif structure maintains a composed, traditional authority.

The design appears intended to deliver a modern take on classical high-contrast serif typography: confident display forms, refined detailing, and an elevated, boutique-like finish. It prioritizes impact and elegance over neutrality, aiming for a premium, attention-grabbing typographic voice.

In the sample text, the contrast creates a lively, shimmering line texture, and the thin strokes become a defining feature—visually striking but more sensitive at small sizes or in low-resolution contexts. The design favors crisp reproduction, where the hairlines can remain intact and the thick strokes can carry the word shapes confidently.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸