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Sans Superellipse Hiref 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Acumin' by Adobe, 'Dean Gothic' by Blaze Type, 'Midnight Sans' by Colophon Foundry, 'Miguel De Northern' by Graphicxell, 'Plak' by Linotype, and 'Hype Vol 1' by Positype (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, assertive, industrial, condensed, poster-ready, no-nonsense, space efficiency, impact, clarity, robustness, systematic geometry, blocky, square-rounded, high-impact, compact, sturdy.


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A compact, heavy sans with tall proportions and tightly contained counters. Curves resolve into rounded-rectangle bowls and terminals, giving letters a squared-off, superelliptical geometry rather than purely circular forms. Strokes are consistently thick with minimal modulation, and joins stay crisp, producing a solid, blocklike silhouette. The lowercase is straightforward and utilitarian with simple single-storey forms, while the figures are sturdy and space-efficient for dense settings.

Best suited to headlines, posters, and large-format typography where dense, compact letterforms can maximize impact in limited space. It also fits labels, packaging, and wayfinding or signage that benefits from bold, simplified shapes. The design’s sturdy forms can support energetic branding contexts such as sports, events, and promotional graphics.

The overall tone is forceful and functional, leaning toward an industrial, workmanlike voice. Its compressed rhythm and massive weight read as urgent and attention-seeking, suitable for messaging that needs to feel direct and uncompromising. The rounded corners soften the impact slightly, keeping it approachable while still emphatic.

The design appears intended to deliver maximum visual weight and clarity in a condensed footprint, using rounded-rectangular construction to keep shapes consistent and robust. It prioritizes strong silhouettes and economical spacing over finesse, aiming for dependable performance in bold display settings.

Round letters like C, G, O, and Q show flattened curves that feel engineered and systematic, while verticals dominate the texture for a strong, upright cadence. Punctuation and spacing in the sample suggest it is designed to hold together in tight, high-contrast headline compositions without delicate details.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸