Sans Faceted Bevy 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'QB One' by BoxTube Labs and 'Futo Sans' by HB Font (names referenced only for comparison).
Keywords: posters, headlines, sports branding, logotypes, packaging, sporty, industrial, arcade, tactical, impactful, high impact, geometric consistency, signage feel, brand presence, angular, faceted, blocky, octagonal, compact.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with planar facets. Counters are mostly rectangular or octagonal, and terminals end in hard cuts rather than rounded joins. The overall construction is compact and sturdy, with wide strokes, tight apertures, and minimal internal detailing that keeps forms bold at a distance. Uppercase and lowercase share a consistent, squared-off skeleton, while figures follow the same chamfered, sign-like logic for strong set harmony.
Best suited to large-scale display settings where its faceted construction and strong black shapes can carry: posters, headlines, sports identities, bold wordmarks, and packaging. It also works well for on-screen titles and UI moments that benefit from a rugged, technical tone, while extended small-size text may feel dense due to the compact counters and heavy texture.
The faceted geometry and dense silhouettes project a tough, utilitarian attitude with a sporty edge. Its sharp corners and stencil-like solidity evoke arcade UI, team branding, and equipment markings—confident, assertive, and built for impact rather than delicacy.
The design appears intended to deliver maximum visual punch through a consistent system of chamfered corners and straight-edged geometry. By avoiding curves and maintaining sturdy, simplified interiors, it aims for fast recognition and a distinctive, industrial-signage flavor in branding and display contexts.
Diagonal joins are handled with pronounced chamfers, creating a rhythmic pattern of clipped corners across the alphabet. The design favors clear, high-mass shapes; in longer text the texture is dark and emphatic, with letterforms reading as engineered blocks more than calligraphic strokes.