Sans Superellipse Reduh 5 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui design, app interfaces, wayfinding, tech branding, packaging labels, clean, futuristic, technical, friendly, minimal, modern clarity, interface voice, geometric consistency, soft precision, monoline, rounded, geometric, superelliptic, open apertures.
A monoline sans with superelliptic construction: counters and curves are built from rounded-rectangle geometry rather than true circles, giving bowls a softly squared profile. Strokes are consistently thin with rounded terminals, producing a smooth, even texture and a light typographic color. Uppercase forms are compact and simplified (notably in C/G/S) with generous inner space, while lowercase keeps a tidy, modern rhythm with single-storey a and g and a narrow, straight-armed t. Numerals follow the same rounded-rect logic with open, clean shapes and a simple, legible 1.
This font suits UI and product interface work where a light, clean voice is needed, especially at medium-to-large sizes where its thin strokes and rounded geometry stay crisp. It also fits tech-oriented branding, signage/wayfinding with a modern aesthetic, and short packaging or label text that benefits from a soft, contemporary look.
The overall tone is modern and calm, combining a clinical, tech-forward precision with approachable softness from the rounded corners. It reads as minimal and contemporary, with a subtle retro-future feel reminiscent of interface and device typography.
The design appears intended to deliver a sleek, contemporary sans that feels engineered and systematic, using superelliptic curves to create consistency across letters and numbers. The rounded terminals and simplified forms aim for clarity and a friendly, modern finish without decorative flourishes.
Distinctive details include the squared-oval O/0 family, an angular-yet-rounded S, and a Q with a short, centered descender-like tail. The uppercase W is formed with smooth, continuous curves rather than sharp joins, reinforcing the font’s rounded, engineered personality.