Sans Superellipse Gunag 9 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Swiss 721' by Bitstream, 'Neue Haas Grotesk Display' by Linotype, 'Classica MF' by Masterfont, and 'Helvetica Now' by Monotype (names referenced only for comparison).
Keywords: headlines, branding, packaging, signage, posters, modern, friendly, confident, utilitarian, clean, approachability, clarity, impact, versatility, brandability, rounded, compact, solid, geometric, even.
This typeface is a heavy, rounded sans with a superellipse construction: counters and outer curves read as squared-off ovals rather than perfect circles. Strokes are thick and even, with minimal contrast and a compact, stable footprint. Terminals are generally blunt or softly radiused, producing smooth joins and a sturdy silhouette. The uppercase set is broad and blocky with clear interior spaces, while the lowercase is similarly robust, with a single-storey “a” and “g” and rounded bowls that keep counters open at display sizes. Numerals match the same rounded-rect geometry, with a clear, straight “1” and wide, stable forms for “0” and “8.”
Best suited for headlines, brand marks, packaging, and short blocks of copy where a bold, friendly presence is desired. It should perform well in signage and UI-style callouts where strong silhouettes and clear shapes help maintain legibility at a glance.
The overall tone is contemporary and approachable, combining a friendly softness from the rounded corners with a strong, confident weight. It feels pragmatic and tech-adjacent—designed to look clear and reliable rather than delicate or expressive.
The design intention appears to be a contemporary workhorse display sans that merges geometric clarity with softened, rounded forms for approachability. It aims for high visual impact, consistent rhythm, and a distinctive rounded-rectangle personality across letters and numbers.
Spacing and rhythm appear even and dense, giving text a strong, unified texture. The rounded-square geometry is consistent across letters and figures, helping headlines look cohesive and logo-like, especially at larger sizes.