Sans Superellipse Domos 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype, 'Albireo' and 'Albireo Soft' by Cory Maylett Design, and 'Heroic Condensed' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, condensed, industrial, retro, utilitarian, graphic, space saving, high impact, systematic, clarity, rounded corners, rectilinear, monoline, tall, compact.
A tall, tightly set sans with a compact rhythm and rounded-rectangle construction throughout. Strokes are predominantly monoline, with softened terminals and corners that read as radiused rather than fully circular, giving curves a superelliptical feel. Counters are narrow and vertically oriented, and many letters emphasize straight-sided geometry (notably in bowls and stems), creating a crisp, engineered texture. Numerals follow the same condensed, rounded-rect silhouette for a consistent, sign-like system.
Best suited to space-conscious display settings such as headlines, posters, signage, and packaging where a strong vertical presence is useful. It can also work for branding systems that need a compact, consistent wordmark style, and for UI labels or wayfinding where a condensed footprint helps fit tight layouts.
The overall tone is functional and slightly industrial, with a subtle retro flavor reminiscent of labeling, equipment markings, and compact headline typography. Its rounded corners soften the rigor, keeping the voice approachable while still feeling efficient and no-nonsense. The condensed proportions lend urgency and impact without becoming flashy.
This design appears intended to deliver maximum presence in minimal horizontal space while maintaining a cohesive, rounded-rect geometry. The consistent monoline build and radiused details suggest an emphasis on clarity and system-like uniformity, targeting modern utilitarian display typography with a softened edge.
Round letters such as O/Q and bowls in B/P/R read more like rounded rectangles than true ovals, which reinforces the structured, modular personality. The lowercase includes a single-storey a and a narrow, upright g; punctuation and diacritics shown in the sample maintain the same compact, radiused detailing for a cohesive texture.