Sans Superellipse Dolaf 7 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Blue Creek' and 'Blue Creek Rounded' by ActiveSphere, 'Albireo' and 'Albireo Soft' by Cory Maylett Design, 'Lost and Foundry' by Fontsmith, 'Etrusco Now' by Italiantype, and 'Hand Gothic' by JCFonts (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, condensed, industrial, retro, utilitarian, punchy, space saving, display impact, signage clarity, geometric unity, rounded corners, rectangular curves, closed apertures, compact spacing, uniform weight.
This typeface is a tightly condensed sans with a tall, compact stance and a steady, uniform stroke weight. Curves are built from rounded-rectangle geometry rather than circular bowls, giving counters and terminals a softened, superelliptical feel. The overall rhythm is vertical and efficient, with narrow letterforms, compact sidebearings, and sturdy joins that keep the shapes crisp at display sizes. Terminals are generally rounded and blunt, and the forms lean toward closed, controlled apertures for a dense, sign-like texture.
It suits headlines and short phrases where condensed width and strong presence help fit more characters per line without losing impact. The sturdy, rounded-rectangular forms work well for signage, packaging labels, and logo wordmarks that need a compact, industrial clarity with a softened edge.
The look reads practical and assertive, with a streamlined, engineered character. Its rounded-rectangle construction adds a friendly softness to an otherwise utilitarian, industrial tone, producing a subtle retro flavor reminiscent of mid‑century signage and packaging.
The design appears intended to deliver high-impact condensed typography with a distinctive superelliptical construction, balancing space efficiency and legibility. Its consistent stroke and rounded terminals suggest a goal of creating a durable, modernized signage style that feels both functional and characterful.
The font’s distinctive identity comes from its consistently squared-off curves and tall proportions, which create a strong columnar texture in words and headlines. Numerals follow the same condensed, rounded-rectangular logic, maintaining a cohesive, compact color in mixed text.