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Free for Commercial Use

Sans Superellipse Ibdop 10 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Rice' by Font Kitchen, 'Mechanized JNL' by Jeff Levine, 'LHF Advertisers Square' by Letterhead Fonts, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, modern, friendly, punchy, sporty, impact, approachability, modernity, cohesion, clarity, rounded, blocky, compact, geometric, soft-cornered.


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A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and uniform in feel, with broad, squared terminals and generous interior rounding that keeps counters open despite the weight. Curves tend toward superellipse-like bowls, giving letters a compact, sturdy silhouette; diagonals (V, W, X, Y) are wide and assertive, while straight-sided forms (E, F, H, N) feel rigid and engineered. Lowercase shapes stay simple and sturdy, with minimal modulation and short, flat joins that emphasize a solid, blocky rhythm; figures are similarly robust, with large apertures and strong, high-contrast silhouettes against the page.

Best suited for bold headlines, posters, and high-impact marketing where strong silhouettes and quick recognition matter. It also works well for branding and packaging that want a modern, approachable toughness, and for signage or labels where large sizes benefit from the open, rounded counters.

The overall tone is confident and energetic, pairing a friendly softness from the rounded geometry with a loud, attention-grabbing mass. It reads as contemporary and utilitarian, with a sporty, poster-ready punch that feels straightforward rather than refined.

Likely designed to deliver maximum impact with a clean, geometric voice—combining a sturdy, industrial backbone with softened corners to stay approachable. The consistent superellipse-based shapes suggest an emphasis on cohesion and recognizability for display typography and brand marks.

Spacing and letterfit appear geared toward display use, creating a dense, impactful texture in longer lines. The design’s rounded-rectangular logic is consistent across caps, lowercase, and numerals, producing a cohesive, logo-like presence even in plain text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸