Sans Normal Omris 2 is a very bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Gravitica Mono' by Ckhans Fonts, 'Bergen Mono' by Mindburger Studio, 'Antikor' by Taner Ardali, and 'TT Commons™️ Pro' and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, ui labels, industrial, utilitarian, friendly, retro, playful, impact, clarity, uniformity, technical tone, approachability, rounded, blocky, compact, high-ink, sturdy.
A heavy, monospaced sans with compact proportions and softly rounded corners throughout. Strokes are uniform and dense, with broad, squared terminals and rounded joins that keep the texture smooth despite the weight. Curves are built from robust, circular forms (notably in C, O, and e), while diagonals in K, V, W, X, and Y are thick and stable, giving the alphabet a consistent, blocky rhythm. Counters are relatively small and the overall color is dark and even, producing strong presence at display sizes.
Best suited to short, high-impact settings where a dense, even texture is an advantage—headlines, posters, signage, and bold UI labels. The monospaced structure also makes it a strong choice for code-themed graphics, dashboards, and technical or industrial branding where alignment and rhythm matter.
The design reads as practical and workmanlike, with a warm, slightly retro friendliness coming from the rounded geometry. Its monospaced cadence adds a technical, code-adjacent tone, while the bold, simple shapes keep it approachable rather than austere.
This font appears designed to deliver maximum punch and consistency within a monospaced framework, pairing straightforward sans construction with rounded, sturdy details. The emphasis is on clarity and uniform rhythm, while the softened corners temper the heaviness with an approachable feel.
Numerals are chunky and highly legible, with a slashed zero for clear differentiation. Lowercase forms stay simple and sturdy, with single-storey a and g and a large, round dot on i/j that matches the font’s soft-cornered construction.