Print Fuguw 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Carrol' by Sarid Ezra, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, merch, packaging, stickers, grunge, playful, rugged, handmade, bold, distressed display, handmade feel, rugged impact, casual branding, poster punch, distressed, roughened, chunky, stencil-like, irregular.
A heavy, rounded print style with compact counters and a sturdy, geometric backbone. The letterforms are consistently thick but intentionally imperfect, with chipped, torn-looking edges and occasional nicks that create a distressed silhouette. Curves are full and smooth in their underlying structure (notably in O, C, S), while terminals and corners show irregular abrasion, giving the face a worn, inked-on texture. Spacing reads even and practical for a display cut, with clear basic shapes and high visual mass across both cases and numerals.
Best suited for short, high-impact text where the distressed edges can read clearly: posters, event flyers, apparel graphics, packaging accents, and bold social or thumbnail typography. It can also work for label-style branding or playful signage where a rough, handmade feel is desired.
The overall tone is gritty yet friendly—like bold signage that’s been weathered or stamped repeatedly. It feels informal and energetic, balancing approachable roundness with a raw, roughened finish that adds attitude and edge.
Likely designed to deliver a robust, legible display voice while adding a handcrafted, beat-up texture for character. The goal appears to be a solid, rounded foundation with consistent distressing to evoke wear, stamping, or rough brush/marker application without sacrificing readability.
The distress pattern is integrated into most glyphs, so the texture becomes part of the rhythm rather than a separate effect. The numerals match the same chunky construction and worn perimeter, helping keep a consistent voice in headlines and short numeric callouts.