Sans Superellipse Gylaz 4 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Coil' by Brownfox, 'Neusa Neu' by Inhouse Type, 'Hype Vol 1' by Positype, 'Ordina' by Schriftlabor, 'Cobe' by Stawix, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: logos, headlines, posters, packaging, app ui, futuristic, techy, industrial, confident, friendly, modern branding, tech aesthetic, display impact, geometric clarity, rounded, squared, blocky, geometric, compact.
A heavy, geometric sans built from rounded-rectangle and superelliptical forms, with smooth corner radii and largely uniform stroke weight. Counters are compact and softly squared, giving letters like O, D, and 0 a padded, screen-like look, while straight-sided shapes keep a firm, engineered rhythm. Terminals are clean and blunt, joins are sturdy, and diagonals (A, V, W, X, Y) are simplified and weighty, producing a solid, high-contrast silhouette against the page. The lowercase follows the same squared-round construction with single-storey a and g, short extenders, and clear, minimal detailing.
Best suited to branding and display settings where a strong, modern voice is needed: logos, headlines, posters, product packaging, and tech-oriented interface or marketing graphics. It holds up well in short to medium text blocks at larger sizes, where the rounded-square counters and sturdy strokes remain clear and distinctive.
The overall tone feels modern and gadget-forward—confident, efficient, and slightly playful due to the softened corners. Its blocky geometry suggests technology, industrial design, and contemporary branding, while the rounded squares keep it approachable rather than harsh.
The design appears intended to deliver a bold, contemporary sans with a superelliptical construction that balances precision with friendliness. Its consistent rounded-rect geometry and compact counters aim for immediate recognizability and a cohesive, industrial-modern texture across letters and numbers.
The font maintains a consistent corner treatment across letters and numerals, creating a cohesive ‘rounded hardware’ aesthetic. Numerals echo the same superelliptical logic, with strong, simple forms designed to read quickly at display sizes.