Sans Superellipse Esleh 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Gemsbuck Pro' by Studio Fat Cat, and 'Ddt' by Typodermic (names referenced only for comparison).
Keywords: sports branding, automotive, tech ui, headlines, posters, sporty, tech, futuristic, energetic, streamlined, speed emphasis, modern branding, geometric clarity, tech feel, rounded, squared, oblique, geometric, compact.
A rounded, squared-off sans with an oblique slant and a soft-rectangle construction throughout. Curves tend to resolve into superelliptical corners rather than true circles, giving bowls and counters a squarish, engineered feel (notably in O, Q, 0, and 8). Strokes are consistently thick with smooth joins and minimal modulation, and terminals are generally blunt or gently radiused for a clean, aerodynamic finish. Proportions feel compact with steady spacing and a controlled rhythm, while diagonals and angled cuts add a crisp, forward-leaning texture in letters like A, K, V, W, X, and Z.
Best suited to branding and display applications where a sleek, modern voice is needed—sports identities, automotive or motorsport themes, tech product marketing, and bold UI headings. It also works well for short bursts of copy such as posters, packaging callouts, and title treatments where the oblique stance and squared rounding can carry the visual identity.
The overall tone is fast, modern, and performance-oriented—suggesting speed, technology, and contemporary industrial design. Its rounded-rectangle geometry reads confident and utilitarian while staying friendly due to the softened corners, making it feel both technical and approachable.
The design appears intended to merge geometric clarity with a speed-oriented oblique posture, using rounded-rectangle forms to create a distinctive, contemporary silhouette. The consistent stroke behavior and compact proportions suggest a focus on strong legibility at larger sizes and a recognizable, industrial-modern personality.
Digit forms follow the same squarish rounding, producing highly uniform numerals suited to display contexts; the single-storey a and g reinforce a contemporary, geometric voice. The Q has a compact, integrated tail that preserves the font’s streamlined silhouette, and the lowercase t is minimal and angled, contributing to the italic-forward momentum in text.