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Free for Commercial Use

Sans Normal Kedig 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Astoria' and 'Astoria Sans' by Alan Meeks, 'MB Empire' by Ben Burford Fonts, 'Humanist 521' by Bitstream, 'Gill Sans Nova' by Monotype, and 'Humanist 521' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, confident, friendly, energetic, modern, impact, momentum, approachability, clarity, rounded, oblique, compact, punchy, clean.


Free for commercial use
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A heavy, oblique sans with rounded geometry and clean, continuous curves. Strokes are thick and largely uniform, with softened terminals and gently squared shoulders that keep counters open despite the weight. The slant is consistent across caps, lowercase, and figures, producing a forward-leaning rhythm. Proportions feel slightly compact with sturdy verticals and wide, stable bowls, giving text a dense, high-impact texture without becoming cramped.

Best suited to short-to-medium display text such as headlines, posters, brand marks, packaging callouts, and promotional graphics where bold presence and a dynamic slant help attract attention. It can also work for UI labels or signage when set large enough to preserve clarity, especially in energetic or youth-oriented contexts.

The overall tone is upbeat and assertive, with a contemporary, sporty feel driven by the strong weight and forward slant. Rounded forms soften the impact, making it feel approachable rather than aggressive. It reads as energetic and confident, suited to messaging that needs momentum and presence.

The design appears intended to deliver a modern, high-impact italicized sans that stays friendly through rounded construction. Its consistent weight and simplified forms suggest a focus on strong branding and attention-grabbing display typography with a fast, forward-moving cadence.

The font maintains a cohesive silhouette across the set, with simple, no-nonsense construction and minimal optical quirks. Numerals and capitals appear designed for quick recognition, emphasizing clear shapes and robust counters at display sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸