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Free for Commercial Use

Distressed Seda 10 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice; 'Dexperdy', 'Iyadufx', and 'Normaliq' by Differentialtype; 'Moneis' by RantauType; 'Point Panther' by Sarid Ezra; and 'Readway' by Shakira Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, merchandise, playful, vintage, rustic, rowdy, handmade, nostalgic display, tactile texture, bold impact, handmade feel, chunky, rounded, blunted, inked, worn.


Free for commercial use
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A chunky, heavy serif with softened slab-like terminals and rounded corners, giving each letter a stout, carved silhouette. The strokes stay broadly consistent, but the outlines show subtle waviness and roughness that reads like inky overprint or worn edges rather than clean geometry. Counters are compact and often slightly squarish, with tight apertures and sturdy joins that keep the texture dense in words. The lowercase is simple and upright with a single-storey feel in key shapes and a short, blocky rhythm that emphasizes mass over delicacy.

Best suited to display settings where impact and texture are desirable: posters, event titles, storefront-style signage, labels, and packaging. It also fits merchandise graphics and short emphatic callouts where the rugged, inky edge adds personality. Use generous size and spacing for multi-line text to preserve legibility.

The font projects a warm, boisterous personality with a nostalgic, old-time flavor. Its uneven edges and hefty proportions suggest something printed, stamped, or hand-cut, leaning toward informal and characterful rather than refined. Overall it feels friendly, slightly rugged, and attention-grabbing.

The design appears intended to evoke a bold, old-fashioned display look with intentionally imperfect edges, as if produced through rough printing or wear. Its softened slabs and compact counters aim for maximum presence and a tactile, handmade impression in headlines and branding.

In longer lines the dense color and tight openings can reduce clarity at small sizes, but the texture and distinctive silhouettes hold up well for display. Numerals match the same heavy, rounded construction, helping headlines and pricing feel consistent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸