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Free for Commercial Use

Sans Normal Biged 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica eText' by Linotype; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Arabic', 'Nimbus Sans Novus', and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, straightforward, modern, friendly, clarity, impact, utility, modernity, clean, geometric, rounded, compact, high impact.


Free for commercial use
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This typeface presents a sturdy sans with broad, even strokes and smoothly rounded curves. Uppercase forms are compact and emphatic, with tight apertures and a strong, continuous rhythm; circular letters like O and Q read as near-ovals with clean joins and minimal modulation. Terminals are predominantly straight and decisively cut, while bowls (B, P, R) are full and heavy, producing a dense texture at text sizes. Lowercase is simple and legible, pairing a single‑storey a and g with short, sturdy ascenders and rounded shoulders; counters stay open enough to hold up under the weight, and the numerals follow the same solid, monoline build.

Well suited to headlines and short-form copy where dense, high-contrast-on-page presence is needed, such as posters, product packaging, and branding systems. Its simple lowercase and sturdy numerals also make it workable for UI labels and signage when set with comfortable spacing.

The overall tone is pragmatic and confident, aimed at clarity and impact rather than delicacy. Its rounded geometry and consistent heft make it feel approachable, while the compact forms and strong silhouettes give it a no‑nonsense, contemporary voice.

The font appears intended as a versatile, impact-oriented sans that stays neutral and readable while delivering strong visual weight. It emphasizes geometric consistency, clean terminals, and compact proportions to produce a solid, contemporary texture across both display lines and supporting text.

The design maintains a consistent width and spacing feel across the set, creating an even, blocky color in paragraphs. Distinctive details include the single‑storey a and g, a robust t with a short crossbar, and a Q with a clear tail that preserves recognition without adding flourish.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸