Print Godol 2 is a bold, very narrow, medium contrast, upright, very short x-height font.
Keywords: posters, headlines, packaging, book covers, social graphics, playful, hand-drawn, casual, quirky, expressive, hand-lettered feel, informal display, compact titling, human texture, brushy, inked, bouncy, irregular, tall.
A compact, hand-drawn print face with tall, condensed proportions and a lively, uneven rhythm. Strokes feel marker/brush-like with tapered terminals, occasional flare, and small stroke wobble that preserves an inked, human texture. Curves are simplified and slightly angular in places, with open counters and a loose baseline that adds bounce without collapsing legibility. Caps are narrow and prominent, while lowercase is small and minimal, reinforcing the tall overall silhouette. Numerals follow the same casual construction, with rounded forms and varying stroke endings that keep the set cohesive.
Best suited for display applications such as posters, headlines, packaging callouts, and book or album covers where a casual, hand-lettered feel is desirable. It also works well in social graphics, invitations, and informal signage, especially in short lines where the narrow, tall shapes can add emphasis without requiring large horizontal space.
The font projects a friendly, informal tone that reads like quick handwritten signage or a personal note. Its narrow, tall forms add a slightly dramatic, cartoonish energy, while the organic stroke texture keeps it approachable and unpolished in an intentional way. Overall it feels upbeat and conversational rather than formal or technical.
Likely intended to capture the immediacy of hand lettering in a compact, upright style, balancing readability with visible human variation. The goal appears to be an energetic, approachable display font that feels drawn rather than typeset, suitable for playful branding and attention-grabbing titling.
The design shows consistent hand pressure changes and asymmetric details (especially in diagonals and terminals), which creates charm at display sizes but can look busy in long text. The small lowercase presence compared to the caps suggests it will feel most confident when used with generous leading and in short phrases.