Sans Faceted Angu 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Cybersport' by Anton Kokoshka, 'Panton Rust' by Fontfabric, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: posters, logotypes, headlines, sports branding, packaging, industrial, athletic, mechanical, assertive, retro, impact, ruggedness, machined look, display emphasis, angular, geometric, blocky, chamfered, compact.
A heavy, block-built sans with angular, faceted construction that replaces most curves with chamfers and flat planes. Stroke endings are square and crisp, with frequent corner cuts that create a beveled, machined feel. Counters are generally rectangular or polygonal and kept fairly tight, producing dense letterforms with strong interior negative shapes. The uppercase set reads as sturdy and architectural, while the lowercase keeps the same blunt geometry with short, sturdy joins and minimal modulation. Numerals follow the same squared-off logic, emphasizing straight sides and clipped corners for a consistent, hard-edged rhythm.
Best suited for short, high-impact settings such as posters, branding marks, product packaging, and attention-grabbing headlines. It also works well for display-size labeling or signage where a tough, industrial voice and crisp geometry are desirable.
The overall tone is forceful and utilitarian, evoking equipment labeling, sports graphics, and industrial signage. The faceted corners add a rugged, engineered attitude that feels energetic and impact-driven rather than refined or delicate.
The design appears intended to deliver maximum visual punch through dense forms and faceted geometry, offering a contemporary, machined look that stays consistent across uppercase, lowercase, and figures. Its clipped corners and compact counters prioritize bold presence and a rugged, engineered personality.
Diagonal strokes (such as in K, V, W, X, and Z) are rendered with thick, stable angles, reinforcing the mechanical structure. Rounded letters like O and Q are notably squarish, and the Q tail is handled as a sharp, integrated cut rather than a flowing stroke, keeping the style cohesive across the set.