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Free for Commercial Use

Sans Normal Ahnup 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'AC Texto Pro' by Antoine Crama, 'Muller Next' by Fontfabric, 'Whitney' by Hoefler & Co., 'Fact' by ParaType, and 'Plantago' by Schriftlabor (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, retro, playful, approachable, soft, high impact, approachability, retro flavor, display clarity, rounded, bubbly, compact, chunky, smooth.


Free for commercial use
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A heavy, rounded sans with compact proportions and smooth, swollen curves. Strokes are broadly even, with subtly tapered joins and softly squared terminals that keep the shapes from feeling purely geometric. Counters are generous for the weight, and the lowercase shows a simple, single-storey construction (notably a and g) with short, sturdy arms and minimal detailing. Overall spacing and rhythm read dense and solid, giving headlines a confident, blocky silhouette while retaining a gentle softness in the curves.

Best suited to display applications such as headlines, posters, packaging, and brand marks where a friendly, high-impact voice is needed. It can also work for short UI labels or signage when a soft, approachable tone is desired, though the dense, chunky shapes are most effective when given breathing room at larger sizes.

The tone is warm and approachable, with a slightly retro, display-forward personality. Its rounded massing and simplified forms feel playful and friendly rather than technical or severe, making it well suited to energetic messaging and upbeat branding.

The design appears intended to deliver strong visual impact without harshness, using rounded forms and simplified construction to balance weight with approachability. It emphasizes bold readability and a cheerful, retro-leaning character for attention-focused typography.

The uppercase has a strong, poster-like presence with broad bowls (B, D, P, R) and rounded O/Q forms; the Q uses a short, clear tail for differentiation. Numerals follow the same chunky, rounded logic with wide curves and stable footing, supporting bold, attention-grabbing set lines. The overall effect is cohesive and legible at larger sizes, where the softened terminals and compact fit become a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸