Sans Superellipse Abkaz 3 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Faculty' by Device, 'EFCO Growers' by Ilham Herry, 'Breakers' by Kostic, 'Amfibia' and 'Karibu' by ROHH, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, ui labels, signage, modern, technical, confident, clean, utilitarian, space efficiency, modern branding, clarity, impact, rounded, squared, compact, sturdy, geometric.
A compact, rounded-rectilinear sans with superellipse-based curves and softened corners throughout. Strokes are heavy and even, producing a steady color, while counters tend to be small and neatly enclosed. Many forms balance straight-sided geometry with broad, rounded terminals, giving letters a squared-off silhouette without feeling harsh. Proportions favor a tall lowercase with short extenders, and spacing reads tight but controlled, supporting dense settings and strong word shapes.
Well-suited to headlines and short text where a strong, compact voice is needed, such as posters, packaging, and brand wordmarks. The steady stroke and tight, squared forms also fit UI labels, navigation, and signage where space efficiency and immediate impact matter. In longer passages it will read best with generous leading and careful tracking to keep the dense texture comfortable.
The overall tone is contemporary and matter-of-fact, with a confident, engineered feel. Its rounded corners add approachability, but the squared geometry keeps it disciplined and slightly industrial. The result feels pragmatic and modern rather than expressive or decorative.
The design appears intended to deliver a contemporary, space-efficient sans with softened geometry—combining the clarity of squared construction with rounded friendliness. Its consistent, compact forms suggest a focus on robust display performance and clear, repeatable shapes across letters and figures.
Round letters like O and Q read as squarish ovals with generous rounding, reinforcing the superellipse theme across both uppercase and lowercase. Diagonals in V/W/X and the angled apex of A stay sturdy, avoiding sharp points in favor of softened joins. Numerals follow the same compact, squared rhythm, with clear, stable forms suited to prominent display.