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Sans Superellipse Orgiz 4 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold and 'Bebas Neue Pro' by Dharma Type (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, assertive, industrial, sporty, headline-ready, utilitarian, impact, space saving, branding, legibility at distance, modern utility, blocky, compact, rounded corners, squared curves, high impact.


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A compact, heavy sans with squared-off curves and softly rounded corners, giving many letters a superelliptical, rounded-rectangle skeleton. Strokes are consistently thick with minimal modulation, and counters are relatively tight, producing dense, high-ink forms. The design favors straight-sided geometry in arches and bowls (notably in letters like B, D, O, and U), while joins and terminals stay clean and blunt. Lowercase proportions emphasize a large x-height, with simple, sturdy constructions and short extenders that keep lines visually tight.

Best suited to headlines, posters, large typographic statements, and branding systems that need compact power. It can work well for signage and packaging where bold, simplified shapes hold up at distance and against busy backgrounds. For longer text, it is likely most comfortable in short bursts—subheads, callouts, and labels—where density becomes a feature rather than a constraint.

The overall tone is forceful and pragmatic, with a contemporary, workmanlike feel. Its dense silhouettes and squared curves evoke athletic branding, industrial labeling, and no-nonsense messaging where impact matters more than delicacy. The rounded corners keep it from feeling harsh, adding a friendly, modern edge to an otherwise tough voice.

The design appears intended to deliver maximum impact in a condensed footprint, using squared curves and uniform weight to create a strong, modern sans voice. Its geometry prioritizes repeatable, consistent shapes across the alphabet to maintain a tight rhythm and a solid typographic color in display settings.

Spacing appears compact, and the thick strokes reduce interior whitespace, so the type gains strength at larger sizes while looking more crowded as size drops. Numerals share the same blocky logic, with open, straightforward forms designed for visual consistency alongside the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸