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Free for Commercial Use

Sans Contrasted Udpu 4 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Proza' by Bureau Roffa, 'Optima Nova' by Linotype, 'Skeena' by Microsoft Corporation, 'Amrys' by Monotype, 'Alinea Incise' by Présence Typo, 'Columbia Serial' by SoftMaker, and 'Beorcana Pro' and 'Beorcana Std' by Terrestrial Design (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, editorial display, playful, retro, bouncy, friendly, punchy, attention, warmth, retro flair, expressiveness, display readability, soft corners, flared strokes, rounded bowls, high-contrast joins, lively rhythm.


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A heavy, display-oriented typeface with generous proportions and a lively, slightly inflated silhouette. Strokes show clear modulation, with rounded bowls and tapered, flared terminals that create a rhythmic, hand-cut feel. Counters are fairly open for the weight, and the overall drawing emphasizes soft curves over strict geometry, producing a compact-but-roomy texture in lines of text. Letterforms lean on broad curves and occasional wedge-like endings rather than crisp, uniform stroke endings.

Best suited to headlines, short paragraphs, and prominent copy where a warm, characterful texture is desirable—such as posters, packaging, branding lockups, and editorial display. It can work for larger text blocks when you want a distinctive voice, but its lively modulation and heavy weight are most effective at display sizes.

The tone is upbeat and expressive, with a vintage showcard sensibility that feels approachable rather than formal. Its energetic modulation and softly exaggerated shapes give it a whimsical, attention-getting voice suited to personality-forward messaging.

The design appears intended to deliver a bold, friendly impact with a retro-leaning flavor, using stroke modulation and flared terminals to add motion and charm. The goal seems to be high visibility and personality, while keeping counters open enough to remain readable in common headline and signage contexts.

In the sample text, the bold color and swelling curves create strong word shapes and a distinctive paragraph texture, though the modulation and flared terminals make it feel more like a display face than a neutral workhorse. The numerals match the same rounded, weighty construction, keeping a consistent presence alongside letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸