Sans Other Fufi 11 is a very bold, wide, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, packaging, signage, stencil, geometric, industrial, avant-garde, retro, graphic impact, stencil motif, system design, brand voice, display emphasis, cutout, modular, display, angular, monolithic.
A heavy, geometric sans built from dense blocks with systematic cut-ins and gaps that read as stencil-like counters. Bowls and rounds tend toward near-circular forms split by vertical notches, while diagonals and terminals are sharply chamfered into triangles and wedges. The texture is dominated by large black masses and repeated slits, producing a modular, constructed rhythm with tight internal spacing and strong figure/ground interplay. Uppercase forms are especially monolithic, and the numerals echo the same sliced geometry for a cohesive, poster-forward set.
Best suited for display settings where its cutout geometry can be appreciated—posters, large headlines, branding marks, packaging, and attention-grabbing signage. It can work for short bursts of copy or pull quotes when set with generous size and spacing, but it is not optimized for continuous reading.
The overall tone feels industrial and engineered, with an unmistakable stencil/cutout character that reads as assertive and graphic. Its geometric reductions and sharp wedges give it an avant‑garde, retro-display flavor—more about impact and pattern than neutrality.
The design appears intended to deliver a bold, constructed look by combining geometric sans proportions with deliberate stencil breaks and wedge-shaped incisions. The consistent slicing motif across caps, lowercase, and numerals suggests a focus on creating a recognizable, system-driven identity for high-impact typography.
Because many letters rely on internal breaks and minimal counters, small sizes and low-contrast reproduction can soften legibility; it performs best when the cutouts have room to resolve. The distinctive silhouette system creates strong branding potential but can become visually busy in long passages.