Sans Superellipse Utbab 8 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Fagot' by VladB (names referenced only for comparison).
Keywords: headlines, branding, packaging, ui labels, posters, futuristic, techy, industrial, confident, clean, impact, modernization, tech styling, systematic geometry, brand distinctiveness, rounded corners, square-round, geometric, closed apertures, high contrast-free.
A compact, geometric sans with squared-off proportions softened by rounded corners. Strokes are consistently heavy and even, producing a solid, monoline silhouette with crisp terminals and smooth curves built from superellipse-like shapes. Counters tend toward rounded rectangles, apertures are relatively closed, and joins stay clean, giving the design a controlled, engineered rhythm. The uppercase feels sturdy and wide-set, while the lowercase maintains a straightforward, single‑storey construction with simplified forms and minimal modulation. Numerals echo the same rounded-rect geometry, with clear, blocky shapes and tight internal spaces.
Best suited to display settings where its geometric construction and weight can read clearly—headlines, logos, product packaging, and event or poster typography. It can also work for UI labels and short interface text where a sturdy, high-impact sans is desired, especially in technology or industrial-themed designs.
The overall tone is modern and purposeful, with a distinctly technical, sci‑fi edge. Its broad stance and softened corners read as both assertive and approachable, balancing industrial rigidity with a friendly smoothness.
The design appears intended to deliver a strong, contemporary sans with a signature square-rounded geometry, prioritizing uniformity and impact. Its simplified forms and consistent stroke behavior suggest an emphasis on clarity and a futuristic visual identity rather than traditional text-face nuance.
The face relies on repeated geometric motifs—rounded corners, rectangular counters, and flattened curves—creating strong visual consistency across letters and figures. At smaller sizes, the heavier weight and tighter apertures may emphasize texture over fine detail, while at display sizes the distinctive square-round construction becomes a key stylistic feature.