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Free for Commercial Use

Sans Other Jamod 3 is a regular weight, normal width, monoline, upright, normal x-height font.

Keywords: headlines, posters, logos, game ui, sci-fi titles, futuristic, techno, arcade, mechanical, quirky, sci-fi styling, display impact, geometric construction, logo voice, retro-tech feel, geometric, angular, stencil-like, hard-cornered, modular.


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This typeface is built from simplified, geometric strokes with a largely even line weight and frequent hard corners. Curves are reduced to broad arcs and open bowls, while many joins resolve into sharp, triangular cuts and notched terminals that create a subtly stencil-like feel. Counters tend to be large and open, with several glyphs using breaks or wedges rather than smooth closures, producing a modular, constructed rhythm. Proportions are straightforward and utilitarian, with a compact, schematic drawing style and a consistent use of straight segments to suggest round forms.

Best suited for display settings such as headlines, posters, packaging callouts, and logo or wordmark explorations where its constructed geometry can be appreciated. It also fits game interfaces, sci‑fi or cyber-themed titling, and brand systems that lean into a modular, engineered aesthetic. For long-form text, it will work more as an accent than a primary reading face.

The overall tone feels futuristic and game-like, with a retro digital edge. Its clipped shapes and angular cut-ins read as engineered and mechanical rather than humanist, giving it a slightly quirky, emblematic personality. The result is assertive and playful, suited to designs that want a constructed, tech-forward voice without becoming overly ornate.

The design appears intended to reinterpret a sans structure through a modular, cut-and-notched geometry, emphasizing distinctive silhouettes over traditional letterforms. By simplifying curves into arcs and inserting angular breaks, it aims to deliver a futuristic, emblem-like texture that stays consistent across capitals, lowercase, and numerals.

Distinctive wedge cuts and partial bowls make several letters highly characterful, which increases stylistic impact but can reduce conventional readability at smaller sizes. The numerals follow the same constructed logic, with open forms and geometric segmentation that keeps the set visually cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸