Hollow Other Siti 6 is a light, very wide, very high contrast, upright, normal x-height font.
Keywords: display, posters, headlines, album art, packaging, playful, experimental, quirky, retro, glitchy, texture, disruption, novelty, expressiveness, display impact, outlined, rounded, blocky, stencil-like, cutout.
This typeface is built from squarish, rounded-rectangle letterforms drawn as an outline, with interior shapes appearing as irregular black “puddles” or cutouts that interrupt counters and strokes. Corners are softly radiused and curves are simplified, giving the glyphs a chunky, modular geometry despite the light stroke. The internal knockouts shift from glyph to glyph, producing an intentionally inconsistent rhythm and a strong figure–ground effect, while overall proportions remain broadly boxy and wide. Numerals and capitals follow the same outlined shell construction, with occasional bite-like notches and asymmetric voids that read as deliberate disruptions rather than optical corrections.
Best suited for display settings where its interior cutouts can be appreciated—posters, headlines, event graphics, album or cover art, packaging, and expressive branding. It works well when used sparingly as a focal typographic texture, especially at larger sizes and with generous tracking/leading.
The font conveys an offbeat, game-like energy with a mischievous, glitchy attitude. Its alternating solid/void moments and irregular internal forms feel experimental and slightly chaotic, balancing retro display charm with a DIY, distressed edge. The overall tone is bold in personality while staying airy due to the hollow construction.
The design appears intended to reinterpret a rounded, blocky outline face by injecting unpredictable internal cutouts that create texture and visual surprise. The goal seems to be a distinctive display voice that feels playful and experimental, prioritizing character and pattern over uniform, text-oriented regularity.
The outline-only construction makes the letter shapes depend heavily on silhouette and spacing; the interior interruptions can visually fuse at smaller sizes, while at larger sizes they become the primary texture. The black internal forms vary in placement and scale, creating a lively, non-uniform pattern across words and lines.