Sans Superellipse Gubat 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Qubo' by Hoftype, 'Bega' by Indian Type Foundry, 'Core Sans NR' by S-Core, and 'Nogal' by TipoType (names referenced only for comparison).
Keywords: branding, headlines, ui labels, posters, wayfinding, modern, friendly, solid, efficient, clean, clarity, approachability, impact, systematized geometry, geometric, rounded, compact, sturdy, high-impact.
A compact, heavy sans with rounded-rectangle (superellipse) construction and broadly uniform stroke weight. Curves are smooth and taut, with terminals that feel squared-off rather than fully circular, giving counters a soft-rectangular look. Proportions are slightly condensed with sturdy stems and relatively tight interior spaces, while the lowercase shows a single-storey “a” and “g” and a short-armed “r.” The numerals are simple and blocky, with an open-top “4,” a straight “1,” and rounded, thick “8/9” forms that match the overall geometry.
Well-suited to branding and headline typography where a strong, compact voice is needed, as well as UI labels, buttons, and navigation where rounded geometry can feel friendly while remaining firm. It also fits signage and wayfinding applications that benefit from bold, simple letterforms and clear silhouettes.
The tone is contemporary and approachable, combining friendliness from the rounded forms with a confident, no-nonsense weight. It reads as practical and direct, with a tech-forward, UI-minded cleanliness rather than a decorative or expressive feel.
The design appears intended to deliver a modern, high-impact sans built from superelliptical forms—balancing softness at the corners with sturdy, space-efficient shapes for confident display and interface use.
The face maintains consistent curvature across bowls and corners, producing a coherent, system-like rhythm. At text sizes the dense weight and compact counters suggest it will perform best with generous tracking and line spacing, especially in longer passages.