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Sans Normal Bodaj 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Northpole' by 38-lineart, 'CF Mod Grotesk' by Fonts.GR, 'Applied Sans' and 'Helvetica Now' by Monotype, and 'Fonetika' by Tokotype (names referenced only for comparison).

Keywords: ui text, body text, editorial, signage, presentations, neutral, modern, friendly, clean, utilitarian, clarity, versatility, neutral tone, modern utility, everyday usability, geometric, open apertures, even color, high legibility, plainspoken.


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This sans serif shows a clean, modern construction with predominantly geometric curves and straightforward, even strokes. Uppercase forms are broad and stable, with round letters that read as near-circular and straight-sided verticals that keep spacing orderly. Lowercase shapes are simple and open, with a single-storey “a” and “g,” compact shoulders, and short, functional terminals; counters stay generous for clarity. Numerals are similarly plain and readable, with rounded bowls and simple diagonals, producing an overall consistent texture across lines of text.

It suits interface copy, general-purpose brand communication, and editorial layouts where clean readability is the priority. The even texture and open counters make it dependable for signage and informational graphics, and it scales well for headings without becoming overly stylized.

The tone is neutral and contemporary, leaning friendly through its rounded forms and open counters rather than sharp or technical detailing. It feels practical and unshowy, prioritizing clarity and a calm, dependable voice over personality-driven quirks.

The design intention appears to be a versatile, general-purpose sans that stays out of the way and performs consistently across common typography tasks. Its geometry and restrained detailing suggest a focus on clarity, neutrality, and broad applicability in modern layouts.

In the text sample, the face maintains steady rhythm and spacing, with a uniform typographic color that supports longer passages. Round glyphs (C, O, Q) and straight-sided forms (E, F, H) balance well, giving the design a composed, workhorse feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸