Sans Superellipse Ugmih 11 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Otoiwo Grotesk' by Pepper Type, 'Ordina' by Schriftlabor, 'Amsi Grotesk' by Stawix, 'LFT Etica' by TypeTogether, 'TT Hoves Pro' by TypeType, and 'Mula' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app banners, sporty, punchy, friendly, energetic, retro, impact, speed, approachability, branding, rounded, soft corners, compact, heavy, slanted.
A heavy, right-slanted sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with minimal contrast and a compact, forward-leaning silhouette that keeps counters relatively tight. Curves tend toward squarish rounds (especially in O/0 and bowls), while terminals look blunt and smoothly finished rather than sharp. The overall rhythm is dense and stable, with sturdy verticals and diagonals that maintain an athletic, blocky presence across caps, lowercase, and figures.
Best suited to short-to-medium headline settings where impact and motion are priorities—posters, sports and team identities, energetic packaging, and attention-grabbing UI banners. Its dense weight and rounded corners also work well for bold labels and promotional copy where a friendly, fast tone is desired.
The font projects a bold, upbeat tone—confident and kinetic, with a friendly softness from its rounded forms. Its slant adds momentum and a sense of speed, lending a sporty, promotional flavor that feels energetic without becoming aggressive.
The design appears aimed at delivering high-impact, italicized display typography with a rounded, superelliptical skeleton—balancing speed and strength with approachable softness. It’s built to stay legible at large sizes while maintaining a cohesive, blocky texture across letters and numbers.
Uppercase forms read as compact and robust, while the lowercase keeps the same chunky logic with simple, single-storey shapes and clear, utilitarian punctuation. Numerals match the alphabet’s blocky roundness, making the overall set feel cohesive for headline-driven layouts.