Sans Normal Libar 14 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Telder HT Pro' by Huerta Tipográfica, 'Tenorite' by Microsoft Corporation, 'Acto' and 'Prelo Pro' by Monotype, 'Tabac Sans' by Suitcase Type Foundry, 'Itoya' by The Northern Block, and 'Bartosh' by jpFonts (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, punchy, friendly, confident, retro, impact, momentum, approachability, display, rounded, oblique, compact, soft corners, sturdy.
A heavy, rounded sans with an oblique slant and tightly controlled, low-contrast strokes. Forms are built from broad curves and softened joins, with counters that stay open enough to read at display sizes while maintaining a compact, muscular texture. Terminals tend to be blunt and slightly angled, and the overall rhythm is energetic, with noticeable forward motion from the slant. Numerals are bold and simple, with large bowls and stable bases that match the letterforms’ sturdy mass.
Best suited to short, bold applications such as headlines, sports and event branding, posters, packaging callouts, and promotional graphics where the oblique stance can amplify energy. It will also work for logos and wordmarks that need a friendly but forceful presence. For long-form text, its heavy color and slant suggest using it sparingly or at larger sizes for emphasis.
The font projects speed and impact while staying approachable due to its rounded geometry and softened corners. Its tone feels assertive and contemporary with a hint of retro athletic branding—more “team logo and headline” than “quiet editorial.” The oblique angle adds urgency and momentum, making messages feel active and promotional.
The design appears intended to deliver maximum impact with a forward-leaning, athletic voice, combining rounded construction with dense weight for strong silhouettes. It emphasizes quick recognition, bold signage-like clarity, and an energetic cadence that supports promotional and brand-forward typography.
The heaviest strokes dominate the silhouette, producing strong word shapes and a high-ink presence. Curved letters (like O/Q/C/G) lean on near-circular construction, while diagonals (V/W/X/Y) read as thick, stable wedges. The overall feel is cohesive and intentionally bold, prioritizing punchy readability over delicate detail.