Sans Faceted Lihi 4 is a regular weight, normal width, monoline, upright, short x-height font.
Keywords: headlines, posters, logos, ui labels, packaging, tech, industrial, retro, futuristic, game-like, geometric system, tech aesthetic, display impact, modular consistency, octagonal, angular, chamfered, stencil-like, geometric.
This typeface is built from straight strokes with clipped corners, replacing curves with crisp planar facets that create octagonal counters and angular bowls. Stroke weight is even throughout, with consistent chamfers at joins and terminals that give letters a machined, cut-metal feel. Proportions are compact and slightly squared, with simplified construction in lowercase and a restrained contrast between rounds and straights due to the faceted geometry. Numerals and capitals carry the strongest geometric signature, with sharp diagonals and squared-off apertures that maintain a steady, modular rhythm in text.
Best suited for display settings where its angular texture can be a feature: headlines, branding marks, signage, and tech-themed packaging. It can also work for short UI labels or interface-style typography where geometric clarity and a manufactured look are desired, but extended body text may feel busy due to the persistent faceted corners.
The overall tone feels technical and engineered, evoking digital interfaces, sci‑fi labeling, and retro arcade aesthetics. Its sharp edges and uniform stroke treatment read as assertive and utilitarian, with a distinctly synthetic, constructed personality rather than a humanist one.
The design appears intended to translate a geometric sans into a faceted, corner-cut system, emphasizing precision and consistent modular construction. By systematically removing curves and rounding from typical grotesque forms, it aims to deliver a distinctive high-tech voice while keeping letterforms broadly familiar and legible.
The faceting produces prominent corner nodes that remain visible at display sizes and give the face a distinctive texture in running text. Some forms lean toward a stencil-like impression because interior shapes and joints are emphasized by the repeated chamfer motif.