Sans Normal Lykur 15 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Nyata' by Marsnev, 'Neurath' by René Bieder, and 'Gogh' by Type Forward (names referenced only for comparison).
Keywords: headlines, posters, sportswear, packaging, branding, sporty, punchy, energetic, playful, retro, impact, motion, attention, display, slanted, rounded, chunky, bouncy, soft corners.
A heavy, right-slanted sans with broad proportions and rounded, compact counters. Strokes are uniform and chunky, with softened joins and gently curved terminals that keep the forms friendly despite the mass. The letterforms lean into a forward-tilting rhythm, mixing circular bowls with wedge-like diagonals for a dynamic, slightly “cut” look in characters like A, K, M, N, V, and W. Lowercase shapes are sturdy and simplified, with single-storey a and g, a short-shouldered r, and prominent dots on i/j that read clearly at display sizes. Numerals are similarly bold and rounded, designed to hold their shape under tight spacing and strong contrast against the background.
Best suited for large-scale typography such as headlines, posters, event graphics, and bold brand marks where the slanted, wide forms can project energy. It also fits punchy packaging, promotional ads, and sports or streetwear-inspired identities that benefit from compact, heavyweight letterforms.
The overall tone is bold and upbeat, with a fast, sporty attitude driven by the slant and wide stance. Rounded curves and thick interiors add approachability, giving it a playful, extroverted voice that feels suited to high-impact messaging rather than quiet reading.
The font appears designed to deliver immediate visual impact with a forward-leaning, athletic cadence while maintaining friendly, rounded construction. Its simplified shapes and sturdy apertures suggest an emphasis on strong display performance and recognizable word silhouettes.
The design emphasizes strong silhouettes and consistent weight, creating dense word shapes with a pronounced forward motion. Curves stay smooth and circular while diagonals feel slightly chiseled, producing a lively mix of softness and edge that reads best when given room to breathe.