Serif Other Yije 11 is a very bold, normal width, low contrast, italic, tall x-height font.
Keywords: posters, headlines, sports branding, packaging, event promos, stencil, industrial, retro, dramatic, sporty, attention grabbing, stencil effect, motion emphasis, graphic branding, split forms, angled cuts, high impact, compressed rhythm, oblique stress.
A heavy, oblique serif display design built from broad, blocky strokes and sharply cut terminals. Many letters are interrupted by diagonal and vertical “slices,” creating a segmented, stencil-like construction that stays consistent across caps, lowercase, and figures. The shapes are compact and punchy with a tall lowercase presence, minimal apparent stroke modulation, and crisp, geometric counters; several glyphs show wedge-like serifs and angular join behavior that reinforces the aggressive forward slant. Numerals mirror the same cut-and-split motif, maintaining a uniform, high-density texture in lines of text.
Best suited to short, high-impact settings where the segmented construction can be appreciated—posters, headlines, sports or motorsport-style branding, packaging, and promotional graphics. It works particularly well when ample size and tracking allow the internal cuts to remain legible and intentional.
The overall tone is forceful and kinetic, with a machined, hard-edged character that reads as industrial and performance-oriented. The recurring cuts add a sense of motion and tension, giving the face a retro display feel that is bold and attention-seeking rather than refined.
The design appears intended to combine classic serif silhouettes with a modern, cut-out/stencil treatment, producing a dynamic italic display face that signals speed, strength, and industrial precision. The consistent slicing across the character set suggests a deliberate graphic system aimed at distinctive branding and bold titling.
The repeated internal breaks create strong word shapes at large sizes but can reduce clarity in smaller settings, especially where the splits pass through bowls and diagonals. The oblique angle and dense black color produce a tight, poster-like rhythm, and the design’s distinctive segmentation quickly becomes a defining visual motif in headlines.