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Free for Commercial Use

Stencil Gety 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Mitram' by JAM Type Design, 'Clear Sans Text' by Positype, 'Almarose' by S&C Type, 'Infoma' by Stawix, and 'TT Hoves Pro' and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, branding, industrial, utilitarian, technical, authoritative, mechanical, stencil branding, industrial labeling, graphic impact, technical voice, hard-edged, geometric, high-contrast, bold, modular.


Free for commercial use
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A crisp, geometric stencil sans with sharply cut terminals and consistent stroke thickness. The letterforms are built from straight stems and near-circular bowls, interrupted by clear stencil bridges that create vertical breaks in counters and joins. Curves are clean and fairly round, while diagonals and vertexes stay pointed and decisive, producing a firm, engineered rhythm. Uppercase proportions feel compact and sturdy; lowercase forms are simple and functional, with single-storey shapes and restrained detailing that keeps the texture even in longer lines.

Well suited to display typography where the stencil structure can read clearly—posters, headlines, labels, packaging, and wayfinding-inspired graphics. It also works for tech or industrial branding systems, interface headers, and short emphatic statements where a strong, marked texture is desirable.

The overall tone is industrial and technical, evoking stenciled labeling, equipment markings, and engineered signage. The breaks add a purposeful, fabricated feel—more mechanical than handmade—giving the font a direct, no-nonsense voice with a slightly dramatic edge.

The design appears intended to merge straightforward geometric sans construction with unmistakable stencil breaks, creating a font that reads as functional and engineered while remaining bold and graphic. It aims to deliver immediate recognition and a strong industrial character without relying on ornament.

The stencil interruptions are prominent in rounded letters and numerals, turning counters into distinct graphic moments that read strongly at display sizes. In dense text, the repeated bridges become a defining pattern, creating a branded texture that’s best leveraged intentionally rather than treated as neutral body copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸